{"id":33827,"date":"2026-09-18T07:38:15","date_gmt":"2026-09-18T04:38:15","guid":{"rendered":"https:\/\/www.johannagullichsen.com\/master-upholsterer-anu-riina\/"},"modified":"2026-09-18T13:33:37","modified_gmt":"2026-09-18T10:33:37","slug":"master-upholsterer-anu-riina","status":"publish","type":"page","link":"https:\/\/www.johannagullichsen.com\/sv\/master-upholsterer-anu-riina\/","title":{"rendered":"M\u00f6belm\u00e4staren Anu-Riina"},"content":{"rendered":"

\"\"<\/a><\/p>\n

I m\u00f6belm\u00e4stare Anu-Riinas<\/a> h\u00e4nder f\u00e5r gamla designm\u00f6bler nytt liv. Under \u00e5ren har hon kl\u00e4tt om allt fr\u00e5n \u00c5skboll-f\u00e5t\u00f6ljer<\/a> och Togo-soffor till Ateljee-soffor, m\u00f6bler som kr\u00e4ver gedigen yrkesskicklighet, men ocks\u00e5 f\u00f6rst\u00e5else f\u00f6r deras konstruktion, formspr\u00e5k och historia.<\/span><\/p>\n

Anu-Riina blev m\u00f6beltapetserare med inriktning p\u00e5 designm\u00f6bler n\u00e4stan av en slump. Som ung tapetserare t\u00e4nkte hon specialisera sig p\u00e5 bilkl\u00e4dsel. Det k\u00e4ndes som ett omr\u00e5de som kunde erbjuda en trygg f\u00f6rs\u00f6rjning.<\/span><\/p>\n

Under sin grundutbildning praktiserade Anu-Riina hos tapetseraren Pertti Ojalainen. Ojalainen arbetade som underleverant\u00f6r \u00e5t Avart och kl\u00e4dde bland annat om prototyper av Kukkapuro. Till en b\u00f6rjan tyckte Anu-Riina att m\u00e5nga designklassiker var rentav m\u00e4rkliga. Arbetet med dem f\u00f6r\u00e4ndrade dock gradvis hennes blick. S\u00e5 sm\u00e5ningom f\u00f6r\u00e4ndrades b\u00e5de hennes smak och hennes planer f\u00f6r framtiden.<\/span><\/p>\n

Senare, n\u00e4r Anu-Riina redan drev eget f\u00f6retag, brukade hon \u00e5terv\u00e4nda till Ojalainen n\u00e4r hon fick en s\u00e4rskilt utmanande tapetsering. Hon packade ihop sina saker och gav sig iv\u00e4g f\u00f6r att l\u00e4ra sig mer.<\/span><\/p>\n

\u201dV\u00e5ra hj\u00e4rnor fungerar p\u00e5 samma s\u00e4tt. Ojalainen var en probleml\u00f6sare och f\u00f6rs\u00f6kte alltid hitta b\u00e4ttre arbetsmetoder. Tillsammans kom vi p\u00e5 m\u00e5nga l\u00f6sningar\u201d, ber\u00e4ttar Anu-Riina.<\/span><\/p>\n

Ojalainen blev en v\u00e4n och mentor som Anu-Riina kunde dela sitt intresse f\u00f6r tapetseringens probleml\u00f6sning med och l\u00e4ra sig mer om de m\u00e5nga designm\u00f6blernas s\u00e4rdrag.<\/span><\/p>\n

Vid sidan av designklassikerna finns det gott om andra m\u00f6bler. I Johanna Gullichsens butiksf\u00f6nster st\u00e5r vintageb\u00e4nkar fr\u00e5n biografen i Lapua, som Anu-Riina har kl\u00e4tt om i Doris-tyget. Ibland tycker hon ocks\u00e5 om att arbeta med traditionella tapetseringsprojekt. Det l\u00e5ngsammare arbetstempot och den flerskiktade arbetsmetoden \u00e4r mer f\u00f6rl\u00e5tande.<\/span><\/p>\n

\"\"<\/a><\/p>\n

Fr\u00e5n ges\u00e4ll till m\u00e4stare<\/h2>\n

Anu-Riina har aldrig t\u00e4nkt att hennes yrkesskicklighet skulle vara f\u00e4rdigutvecklad. Efter grundutbildningen tog hon yrkesexamen och blev ges\u00e4ll, och d\u00e4refter avlade hon \u00e4ven m\u00f6belm\u00e4starexamen med specialisering p\u00e5 moderna designm\u00f6bler.<\/span><\/p>\n

\u00c4ven erfarenheterna fr\u00e5n utlandet har breddat hennes kunnande. Under ett Erasmus-utbyte i Belgien f\u00f6rdjupade sig Anu-Riina i m\u00e5nga italienska och centraleuropeiska klassiska m\u00f6bler. S\u00e4rskilt intressant var ocks\u00e5 tillg\u00e5ngen p\u00e5 material: det fanns gott om tyger, olika typer av skum och andra material som beh\u00f6vs vid tapetsering. V\u00e4verier och tillverkare fanns n\u00e4ra till hands.<\/span><\/p>\n

Att f\u00f6ra kunskapen vidare<\/h2>\n

Parallellt med att utveckla sin egen yrkesskicklighet har det blivit allt viktigare f\u00f6r Anu-Riina att ocks\u00e5 dela med sig av sin kunskap.<\/span><\/p>\n

N\u00e4r m\u00f6beltillverkningen har minskat riskerar \u00e4ven \u00e4ldre yrkesut\u00f6vares tysta kunskap och materialk\u00e4nnedom att f\u00f6rsvinna. Yrkeskunskap handlar inte bara om teknik, utan ocks\u00e5 om den erfarenhet som samlats under m\u00e5nga \u00e5r, kunskap om material och konstruktioner samt f\u00f6rst\u00e5else f\u00f6r hur olika m\u00f6bler b\u00e4st b\u00f6r angripas.<\/span><\/p>\n

Just nu funderar Anu-Riina p\u00e5 olika s\u00e4tt att utbilda andra och f\u00f6ra sin kunskap vidare.<\/span><\/p>\n

\u201dDet k\u00e4nns tr\u00e5kigt n\u00e4r jag ser skickliga unga yrkesut\u00f6vare, men ingen kan utvecklas p\u00e5 egen hand.\u201d<\/span><\/p>\n

Att v\u00e4lja m\u00f6beltyg kr\u00e4ver blick och kunskap<\/h2>\n

I grunden tycker Anu-Riina om alla material, fr\u00e5n l\u00e4der till textil. Det enda kravet \u00e4r h\u00f6g kvalitet.<\/span><\/p>\n

\u201dTapetseringsarbetet tar mycket tid och \u00e4r inte billigt. Jag vill att kunderna ska f\u00e5 ett resultat av h\u00f6g kvalitet. Dessutom \u00e4r material av d\u00e5lig kvalitet sv\u00e5ra att arbeta med. Materialet m\u00e5ste ocks\u00e5 passa f\u00f6r sitt anv\u00e4ndningsomr\u00e5de, s\u00e5 alla material l\u00e4mpar sig inte f\u00f6r alla m\u00f6bler.\u201d<\/span><\/p>\n

Anu-Riina str\u00e4var alltid efter att v\u00e4lja ett tyg som passar b\u00e5de kunden och m\u00f6belns stil. N\u00e4r det \u00e4r som b\u00e4st kan tyget h\u00f6ja m\u00f6belns v\u00e4rde och framh\u00e4va dess formspr\u00e5k. Man beh\u00f6ver inte alltid vara extremt trogen till det ursprungliga tyget. Enligt Anu-Riina kan det ibland ocks\u00e5 finnas utrymme f\u00f6r lite rebelliskhet.<\/span><\/p>\n

Anu-Riina st\u00e5r aldrig stilla. Att l\u00e4ra sig n\u00e5got nytt v\u00e4cker alltid n\u00e4sta fr\u00e5ga och skapar en ny utmaning.<\/span><\/p>\n

\u201dVarje g\u00e5ng jag l\u00e4r mig n\u00e5got nytt har jag redan n\u00e4sta utmaning i tankarna.\u201d<\/span><\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

I m\u00f6belm\u00e4stare Anu-Riinas h\u00e4nder f\u00e5r gamla designm\u00f6bler nytt liv. Under \u00e5ren har hon kl\u00e4tt om allt fr\u00e5n \u00c5skboll-f\u00e5t\u00f6ljer och Togo-soffor till Ateljee-soffor, m\u00f6bler som kr\u00e4ver gedigen yrkesskicklighet, men ocks\u00e5 f\u00f6rst\u00e5else…<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-33827","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nM\u00f6belm\u00e4staren Anu-Riina - Johanna Gullichsen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.johannagullichsen.com\/sv\/master-upholsterer-anu-riina\/\" \/>\n<meta property=\"og:locale\" content=\"sv_SE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\u00f6belm\u00e4staren Anu-Riina\" \/>\n<meta property=\"og:description\" content=\"I m\u00f6belm\u00e4stare Anu-Riinas h\u00e4nder f\u00e5r gamla designm\u00f6bler nytt liv. 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